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- Jam Session: The Ishibashi Foundation Collection × MOHRI Yuko–On Physis
Jam Session: The Ishibashi Foundation Collection × MOHRI Yuko–On Physis
2 November [Sat], 2024 - 9 February [Sun], 2025
About this exhibition
Mohri’s installations and sculptures use magnetism, electricity, air and dust, water and temperature to make visitors sensitive to forms latent in the currents and fluctuations of the spaces in which she exhibits. The title of this exhibition is On Physis. The word “Physis” is an ancient Greek term translated as “Nature” or “Essence.” It was used in what is known as Early Greek Philosophy in addressing the question of what the basic principle behind everything might be, a fundamental philosophical question today as well.
In this sense, “Physis” was the central concern of Early Greek Philosophy. The surviving fragments of that ancient philosophy were later collected under the title “On Nature” and used to represent philosophical interest in movement, ongoing motion: the birth, transformation, and disappearance of entities. Mohri’s work overlaps with their interest in ever-present fluid change.
For this, Mohri’s first large-scale exhibition in Japan, we have brought together both new and old works, and arranged them beside works from the Ishibashi Foundation collection, creating tranquil organic spaces filled with subtle sounds and movements that can be experienced nowhere else.
Biography
MOHRI Yuko
Born 1980 in Kanagawa, Japan. Currently based in Tokyo. Received an MA in intermedia art from Tokyo University of the Arts. Her major solo exhibitions have been at the Japan Pavilion of the 60th International Art Exhibition, La Biennale di Venezia, in 2024, at Camden Arts Centre, in 2018, and at Towada Art Center in 2018. Participates in biennales and other exhibitions around the world, including the 14th Gwangju Biennale in 2023, the 23rd Biennale of Sydney in 2022, and the 34th Bienal de São Paulo in 2021.Exhibition overview
Exhibition title
- Jam Session: The Ishibashi Foundation Collection × MOHRI Yuko–On Physis
Exhibition period
- 2 November [Sat], 2024 - 9 February [Sun], 2025
Opening hours
- 10:00 – 18:00 (until 20:00 on Fridays) *Last entry 30 minutes before closing.
Closed
- Mondays (except November 4, January 13), November 5, December 28 – January 3, 14
Organizer
- Artizon Museum, Ishibashi Foundation
Venue
- 6F Gallery
Concurrent Exhibitions
-
Looking Human: The Figure Painting(5F Gallery)
Selections from the Ishibashi Foundation Collection Special Section Matisse’s Studio(4F Gallery)
Ticket prices (incl. tax)
On-line ticket | In-Person ticket (purchase at museum) | |
---|---|---|
General | 1,200 yen *Credit card payments only | 1,500 yen |
University college high school students |
Free entry Advance booking required
Please present their student ID upon entry. | |
Disabled visitors (plus one accompanying assistant) |
Free entry Advance booking not required
Please present disabled person’s handbook upon entry. | |
Children through junior high school | Free entry Advance booking not required |
*Booking is not accepted when a time slot is full.
*In-Person ticket may be purchased at the museum, if the time slot is not full.
*This admission fee gives the visitor access to the concurrent exhibitions.
Art works
MOHRI Yuko, Sketch for Piano Solo: Belle-Île, 2024. Courtesy of the artist
Claude MONET, Belle-Île, Rain Effect, 1886, Artizon Museum, Ishibashi Foundation
MOHRI Yuko, Decomposition, 2021–, Installation view of “Neue Fruchtige Tanzmusik,” 2022, Yutaka Kikutake Gallery. Photo: kugeyasuhide
Georges BRAQUE, Two Pears and a Peach, 1924, Artizon Museum, Ishibashi Foundation
©︎ ADAGP, Paris & JASPAR, Tokyo, 2024 C4674
MOHRI Yuko, Calls, 2013–, Installation view of “Inter-Resonance: Inter-Organics,” 2019-20, Bait Obaid Al Shamsi, Arts Square, Sharjah. Photo: Shanavas Jamaluddin. Courtesy of Sharjah Art Foundation
Constantin BRANCUSI, The Kiss, 1907–10, Artizon Museum, Ishibashi Foundation
MOHRI Yuko, I/O, 2011–, Installation view of "the 14th Gwangju Biennale,” 2023, Horanggasinamu Art Polygon, Gwangju. Photo: glimworkers. Courtesy of the artist
Paul KLEE, Mathematical Vision, 1923, Artizon Museum, Ishibashi Foundation