Jam Session: The Ishibashi Foundation Collection × MOHRI Yuko–On Physis

2 November [Sat], 2024 - 9 February [Sun], 2025

About this exhibition

The Artizon Museum has held its annual Jam Session exhibition, a collaboration combining works from the Ishibashi Foundation Collection with works by a contemporary artist, since the museum opened in 2020. For the fifth Jam Session, we have invited Mohri Yuko, an artist who is attracting attention in the international art scene, to take part.
Mohri’s installations and sculptures use magnetism, electricity, air and dust, water and temperature to make visitors sensitive to forms latent in the currents and fluctuations of the spaces in which she exhibits. The title of this exhibition is On Physis. The word “Physis” is an ancient Greek term translated as “Nature” or “Essence.” It was used in what is known as Early Greek Philosophy in addressing the question of what the basic principle behind everything might be, a fundamental philosophical question today as well.
In this sense, “Physis” was the central concern of Early Greek Philosophy. The surviving fragments of that ancient philosophy were later collected under the title “On Nature” and used to represent philosophical interest in movement, ongoing motion: the birth, transformation, and disappearance of entities. Mohri’s work overlaps with their interest in ever-present fluid change.
For this, Mohri’s first large-scale exhibition in Japan, we have brought together both new and old works, and arranged them beside works from the Ishibashi Foundation collection, creating tranquil organic spaces filled with subtle sounds and movements that can be experienced nowhere else.

Biography

Photo: kugeyasuhide

MOHRI Yuko

Born 1980 in Kanagawa, Japan. Currently based in Tokyo. Received an MA in intermedia art from Tokyo University of the Arts. Her major solo exhibitions have been at the Japan Pavilion of the 60th International Art Exhibition, La Biennale di Venezia, in 2024, at Camden Arts Centre, in 2018, and at Towada Art Center in 2018. Participates in biennales and other exhibitions around the world, including the 14th Gwangju Biennale in 2023, the 23rd Biennale of Sydney in 2022, and the 34th Bienal de São Paulo in 2021.

Exhibition overview

Exhibition title

Jam Session: The Ishibashi Foundation Collection × MOHRI Yuko–On Physis

Exhibition period

2 November [Sat], 2024 - 9 February [Sun], 2025

Opening hours

10:00 – 18:00 (until 20:00 on Fridays) *Last entry 30 minutes before closing.

Closed

Mondays (except November 4, January 13), November 5, December 28 – January 3, 14

Organizer

Artizon Museum, Ishibashi Foundation

Venue

6F Gallery

Concurrent Exhibitions

Looking Human: The Figure Painting(5F Gallery)
Selections from the Ishibashi Foundation Collection Special Section Matisse’s Studio(4F Gallery)

Ticket prices (incl. tax)

On-line ticket In-Person ticket (purchase at museum)
General 1,200 yen *Credit card payments only 1,500 yen
University
college
high school students
Free entry Advance booking required
Please present their student ID upon entry.
Disabled visitors
(plus one accompanying assistant)
Free entry Advance booking not required
Please present disabled person’s handbook upon entry.
Children
through junior high school
Free entry Advance booking not required
*Online tickets must be purchased up to 10 minutes before the end of each time slot.
*Booking is not accepted when a time slot is full.
*In-Person ticket may be purchased at the museum, if the time slot is not full.
*This admission fee gives the visitor access to the concurrent exhibitions.

Art works

MOHRI Yuko, Sketch for Piano Solo: Belle-Île, 2024. Courtesy of the artist

MOHRI Yuko, Sketch for Piano Solo: Belle-Île, 2024. Courtesy of the artist

Claude MONET, Belle-Île, Rain Effect, 1886, Artizon Museum, Ishibashi Foundation

Claude MONET, Belle-Île, Rain Effect, 1886, Artizon Museum, Ishibashi Foundation

MOHRI Yuko, Decomposition, 2021–, Installation view of “Neue Fruchtige Tanzmusik,” 2022, Yutaka Kikutake Gallery. Photo: kugeyasuhide

MOHRI Yuko, Decomposition, 2021–, Installation view of “Neue Fruchtige Tanzmusik,” 2022, Yutaka Kikutake Gallery. Photo: kugeyasuhide

Georges BRAQUE, Two Pears and a Peach, 1924, Artizon Museum, Ishibashi Foundation <br />
©︎ ADAGP, Paris & JASPAR, Tokyo, 2024 C4674

Georges BRAQUE, Two Pears and a Peach, 1924, Artizon Museum, Ishibashi Foundation 
©︎ ADAGP, Paris & JASPAR, Tokyo, 2024 C4674

MOHRI Yuko, Calls, 2013–, Installation view of “Inter-Resonance: Inter-Organics,” 2019-20, Bait Obaid Al Shamsi, Arts Square, Sharjah. Photo: Shanavas Jamaluddin. Courtesy of Sharjah Art Foundation

MOHRI Yuko, Calls, 2013–, Installation view of “Inter-Resonance: Inter-Organics,” 2019-20, Bait Obaid Al Shamsi, Arts Square, Sharjah. Photo: Shanavas Jamaluddin. Courtesy of Sharjah Art Foundation

Constantin BRANCUSI, The Kiss, 1907–10, Artizon Museum, Ishibashi Foundation

Constantin BRANCUSI, The Kiss, 1907–10, Artizon Museum, Ishibashi Foundation

MOHRI Yuko, I/O, 2011–, Installation view of "the 14th Gwangju Biennale,” 2023, Horanggasinamu Art Polygon, Gwangju. Photo:  glimworkers. Courtesy of the artist

MOHRI Yuko, I/O, 2011–, Installation view of "the 14th Gwangju Biennale,” 2023, Horanggasinamu Art Polygon, Gwangju. Photo: glimworkers. Courtesy of the artist

Paul KLEE, Mathematical Vision, 1923, Artizon Museum, Ishibashi Foundation

Paul KLEE, Mathematical Vision, 1923, Artizon Museum, Ishibashi Foundation

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