Jam Session: The Ishibashi Foundation Collection × MOHRI Yuko–On Physis

2 November [Sat], 2024 - 9 February [Sun], 2025

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About this exhibition

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The Artizon Museum has held its annual Jam Session exhibition, a collaboration combining works from the Ishibashi Foundation Collection with works by a contemporary artist, since the museum opened in 2020. For the fifth Jam Session, we have invited Mohri Yuko, an artist who is attracting attention in the international art scene, to take part.
Mohri’s installations and sculptures use magnetism, electricity, air and dust, water and temperature to make visitors sensitive to forms latent in the currents and fluctuations of the spaces in which she exhibits. The title of this exhibition is On Physis. The word “Physis” is an ancient Greek term translated as “Nature” or “Essence.” It was used in what is known as Early Greek Philosophy in addressing the question of what the basic principle behind everything might be, a fundamental philosophical question today as well.
In this sense, “Physis” was the central concern of Early Greek Philosophy. The surviving fragments of that ancient philosophy were later collected under the title “On Nature” and used to represent philosophical interest in movement, ongoing motion: the birth, transformation, and disappearance of entities. Mohri’s work overlaps with their interest in ever-present fluid change.
For this, Mohri’s first large-scale exhibition in Japan, we have brought together both new and old works, and arranged them beside works from the Ishibashi Foundation collection, creating tranquil organic spaces filled with subtle sounds and movements that can be experienced nowhere else.

Biography

Photo: kugeyasuhide

MOHRI Yuko

Born in 1980 in Kanagawa, currently based in Tokyo, Japan. She received her MA in Inter-media Art from Tokyo University of the Arts.
Yuko Mohri is an artist who creates installation and sculpture not to compose (or construct) but to focus on “events” that constantly shift according to various conditions including their environment. In recent years, she has also explored this idea through video and photography.
In 2015, Mohri received a grant from the Asian Cultural Council for a 6-month residency in New York. In the same year, she received the Grand Prix, Nissan Art Award. In 2016, Mohri took a residency at the Victoria and Albert Museum, London, and was in residence at the Camden Arts Centre, London. 2018 saw her as an East Asian Cultural Exchange Envoy, visiting 4 cities in China. In 2019, she received a grant from the Institut français for a 3-month residency in Paris.
Her major solo exhibitions have been at the Japan Pavilion of the 60th International Art Exhibition, La Biennale di Venezia, in 2024, at Camden Arts Centre, in 2018, and at Towada Art Center in 2018. Mohri has also taken part in a number of international group shows such as the 14th Gwangju Biennale (2023); 23rd Biennale of Sydney (2022); Asian Art Biennial (2021); 34th Bienal de São Paulo (2021); Glasgow International (2021); the 9th Asia Pacific Triennial of Contemporary Art (2018); 14th Biennale de Lyon, France (2017); Kochi-Muziris Biennale (2016).

Exhibition overview

Exhibition title

Jam Session: The Ishibashi Foundation Collection × MOHRI Yuko–On Physis

Exhibition period

2 November [Sat], 2024 - 9 February [Sun], 2025

Opening hours

10:00 – 18:00 (until 20:00 on Fridays) *Last entry 30 minutes before closing.

Closed

Mondays (except November 4, January 13), November 5, December 28 – January 3, 14

Organizer

Artizon Museum, Ishibashi Foundation

Venue

6F Gallery

Concurrent Exhibitions

Looking Human: The Figure Painting(5F Gallery)
Selections from the Ishibashi Foundation Collection Special Section Matisse’s Studio(4F Gallery)

Ticket prices (incl. tax)

On-line ticket In-Person ticket (purchase at museum)
General 1,200 yen *Credit card payments only 1,500 yen
University
college
high school students
Free entry Advance booking required
Please present their student ID upon entry.
Disabled visitors
(plus one accompanying assistant)
Free entry Advance booking not required
Please present disabled person’s handbook upon entry.
Children
through junior high school
Free entry Advance booking not required
*Online tickets must be purchased up to 10 minutes before the end of each time slot.
*Booking is not accepted when a time slot is full.
*In-Person ticket may be purchased at the museum, if the time slot is not full.
*This admission fee gives the visitor access to the concurrent exhibitions.

Related programs

Artist Talk

2 November [Sat], 2024 Artist Talk
MOHRI Yuko × Sook-Kyung LEE (Director of the Whitworth, Curator of Japan Pavilion at the International Art Exhibition of La Biennale di Venezia)
10:30am–12:00pm (door opens at 10:00am)
2 November [Sat], 2024 Artist Talk
MOHRI Yuko × Vicente TODOLÍ (Artistic director of Pirelli HangarBicocca)
2:00pm–3:30pm (door opens at 1:30pm)
Jam Session: The Ishibashi Foundation Collection × MOHRI Yuko—On Physis
The artist Mohri Yuko has recently been gaining international attention and praise. In part, due to her solo show “Compose” at the Japan Pavilion in this year’s International Art Exhibition of La Biennale di Venezia, as well as the invitation for a solo exhibition at Pirelli HangarBicocca, Milan, in September 2025. This talk series provides the opportunity to explore Mohri’s practice past, present, and future. The first session is with Lee Sook-Kyung, who is a curator of “Compose,” and the following session will be with Vicente Todolí, the artistic director of Pirelli HangarBicocca. Meanwhile, the Jam Session with Mohri will be a chance to learn about her work from the point of curators who have made or will make exhibitions with the artist. Please join us.

Art works

MOHRI Yuko, Sketch for Piano Solo: Belle-Île, 2024. Courtesy of the artist

MOHRI Yuko, Sketch for Piano Solo: Belle-Île, 2024. Courtesy of the artist

Claude MONET, Belle-Île, Rain Effect, 1886, Artizon Museum, Ishibashi Foundation

Claude MONET, Belle-Île, Rain Effect, 1886, Artizon Museum, Ishibashi Foundation

MOHRI Yuko, Decomposition, 2021–, Installation view of “Neue Fruchtige Tanzmusik,” 2022, Yutaka Kikutake Gallery. Photo: kugeyasuhide

MOHRI Yuko, Decomposition, 2021–, Installation view of “Neue Fruchtige Tanzmusik,” 2022, Yutaka Kikutake Gallery. Photo: kugeyasuhide

Georges BRAQUE, Two Pears and a Peach, 1924, Artizon Museum, Ishibashi Foundation <br />
©︎ ADAGP, Paris & JASPAR, Tokyo, 2024 C4674

Georges BRAQUE, Two Pears and a Peach, 1924, Artizon Museum, Ishibashi Foundation 
©︎ ADAGP, Paris & JASPAR, Tokyo, 2024 C4674

MOHRI Yuko, Calls, 2013–, Installation view of “Inter-Resonance: Inter-Organics,” 2019-20, Bait Obaid Al Shamsi, Arts Square, Sharjah. Photo: Shanavas Jamaluddin. Courtesy of Sharjah Art Foundation

MOHRI Yuko, Calls, 2013–, Installation view of “Inter-Resonance: Inter-Organics,” 2019-20, Bait Obaid Al Shamsi, Arts Square, Sharjah. Photo: Shanavas Jamaluddin. Courtesy of Sharjah Art Foundation

Constantin BRANCUSI, The Kiss, 1907–10, Artizon Museum, Ishibashi Foundation

Constantin BRANCUSI, The Kiss, 1907–10, Artizon Museum, Ishibashi Foundation

MOHRI Yuko, I/O, 2011–, Installation view of "the 14th Gwangju Biennale,” 2023, Horanggasinamu Art Polygon, Gwangju. Photo:  glimworkers. Courtesy of the artist

MOHRI Yuko, I/O, 2011–, Installation view of "the 14th Gwangju Biennale,” 2023, Horanggasinamu Art Polygon, Gwangju. Photo: glimworkers. Courtesy of the artist

Paul KLEE, Mathematical Vision, 1923, Artizon Museum, Ishibashi Foundation

Paul KLEE, Mathematical Vision, 1923, Artizon Museum, Ishibashi Foundation

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