ANZAI Shigeo, Takiguchi Shuzo, Jiyugaoka Gallery, Tokyo, January 1978, 1978/early 1980s © Estate of Shigeo Anzaï
The Artizon Museum, operated by the Ishibashi Foundation, is pleased to present the exhibition TAKIGUCHI Shuzo: Writing and Drawing, together with Selections from the Ishibashi Foundation Collection in the museum’s fifth- and fourth-floor galleries, featuring highlights of the collection with a focus on modern art.
The Ishibashi Foundation collection contains 163 works (including collaborations with others) by Takiguchi Shuzo (1903–1979), a leading poet and art critic of the 20th century. This exhibition will be the first to present more than half of these works together since their acquisition.
Takiguchi’s career centered on the act of writing. He began composing poetry in the 1920s under the influence of Surrealism, and from the 1930s through the postwar years he continued to think and write about art, ranging from the work of Paul Cézanne to that of his own contemporaries. In 1960, he began seriously producing visual works which he called dessins (French for “drawings”). For Takiguchi, who had long engaged with the world through writing, what did it mean to draw instead? With this question as its point of departure, the exhibition surveys the full scope of his activities, from poetry and art criticism to exhibition planning and exchanges with other artists, presenting approximately 140 items in total. These include Takiguchi’s visual works, produced using a wide range of experimental techniques, alongside works by related artists such as Paul Klee, Marcel Duchamp, and Joan Miró.
TAKIGUCHI Shuzo, Untitled, 1968
TAKIGUCHI Shuzo, Tick-tick my heart-the watch・・・・, 1971
TAKIGUCHI Shuzo, Untitled, 1971
ANZAI Shigeo, Takiguchi Shuzo, Jiyugaoka Gallery, Tokyo, January 1978, 1978/early 1980s © Estate of Shigeo Anzaï
TAKIGUCHI Shuzo
(1903–1979)
Takiguchi Shuzo was born in Toyama Prefecture and moved to Tokyo in 1921. From 1926, he studied under Nishiwaki Junzaburo in the Department of English Literature at Keio University, where he developed an interest in Surrealism, then at the leading edge of contemporary art, and began writing poetry. His translation of André Breton’s Le Surrealisme et la Peinture was published in 1930. From this time onward, his engagement with visual art deepened, and he began writing primarily on Surrealism. In the 1950s, Takiguchi was highly active as an art critic, contributing critical essays, writing on the open-call Yomiuri Independent Exhibition, and taking part in the selection of artists for exhibitions at Takemiya Gallery, making him an important figure on the contemporary Japanese art scene. At the 29th Venice Biennale in 1958, he served as commissioner for the Japan Pavilion and as a member of the international jury. Around 1960, he scaled back his critical writing and focused on producing drawings and watercolors, and in October of that year he held his first solo exhibition, From My Sketchbook, at Nantenshi Gallery. Throughout the 1960s and 1970s, he continued to present his own work while experimenting with a wide range of techniques and forms. He died of illness in 1979.
All works are in the collection of the Artizon Museum, Ishibashi Foundation
Other Artists
Listed in order of birth
Paul CÉZANNE
Odilon REDON
Constantin BRANCUSI
Paul KLEE
Pablo PICASSO
Georges BRAQUE
Jean ARP
Marcel DUCHAMP
Man RAY
Mark TOBEY
Joan MIRÓ
Jean FAUTRIER
OKA Shikanosuke
Lucio FONTANA
Henri MICHAUD
Jean DUBUFFET
Joseph CORNELL
SAITO Yoshishige
MURAI Masanari
WAKITA Kazu
HAMAGUCHI Yozo
ONOSATO Toshinobu
WOLS
KOMAI Tetsuro
NOMIYAMA Gyoji
MOTONAGA Sadamasa
Antoni TÀPIES
FUKUSHIMA Hideko
YAMAGUCHI Katsuhiro
KUSAMA Yayoi
Jasper JOHNS
OKAZAKI Kazuo
AY-O
ARAKAWA Shusaku
News
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2026.5.26
The special site has been published.





