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Odalisque

Carlton

Valentine

Cabinet No. 8

Superbox

Casablanca

Vase no. 17

Cabinet No. 71

Erinna

Mobile

Acropolis

Sirius

Design begins where improvement
by rational processes ends,

and where improvement by processes
of magic begins.
Design begins where
improvement by rational
processes ends, and where
improvement by processes
of magic begins.

Ettore SOTTSASS

Ettore Sottsass, “Design,”
Domus, No. 386, January 1962, pp. 19–20

Carlton
Ettore SOTTSASS

1981 (design / produce)

Produce: Memphis Milano

© Erede Ettore Sottsass

CarltonEttore SOTTSASS 1981 (design / produce) Produce: Memphis Milano © Erede Ettore Sottsass
Odalisque
Ettore SOTTSASS

1964-66 (design)

1986 (produce)

Produce: Mirabili Arte d’Abitaire

© erede Ettore Sottsass, JASPAR, Tokyo, 2026 C5469

OdalisqueEttore SOTTSASS 1964-66 (design) 1986 (produce) Produce: Mirabili Arte d’Abitaire © erede Ettore Sottsass, JASPAR, Tokyo, 2026 C5469
Valentine
Ettore SOTTSASS, Perry KING

1968 (design / produce)

Produce: Olivetti

© erede Ettore Sottsass, JASPAR, Tokyo, 2026 C5469

ValentineEttore SOTTSASS, Perry KING 1968 (design / produce) Produce: Olivetti © erede Ettore Sottsass, JASPAR, Tokyo, 2026 C5469
Superbox
Ettore SOTTSASS

1966 (design)

1968 (produce)

Produce: Poltronova

© erede Ettore Sottsass, JASPAR, Tokyo, 2026 C5469

SuperboxEttore SOTTSASS 1966 (design) 1968 (produce) Produce: Poltronova © erede Ettore Sottsass, JASPAR, Tokyo, 2026 C5469

Japan’s First MajorEttore SottsassRetrospective

Ettore Sottsass is renowned as one of the foremost figures in 20th-century Italian design, and in recent years numerous retrospectives of his work have been held across Europe and the United States. This exhibition, the first large-scale Sottsass retrospective in Japan, introduces his creative trajectory by presenting over a hundred works by Sottsass, from his early to late periods, together with works by close associates such as Kuramata Shirō and Michele De Lucchi.

Casablanca
Ettore SOTTSASS

1981 (design / produce)

Produce: Memphis Milano

© erede Ettore Sottsass, JASPAR, Tokyo, 2026 C5469

CasablancaEttore SOTTSASS 1981 (design / produce) Produce: Memphis Milano © erede Ettore Sottsass, JASPAR, Tokyo, 2026 C5469
Mobile
Ettore SOTTSASS

1957-58 (design)

1959 (produce)

Produce: Poltronova

© Erede Ettore Sottsass

MobileEttore SOTTSASS 1957-58 (design) 1959 (produce) Produce: Poltronova © Erede Ettore Sottsass
Sirius
Ettore SOTTSASS

1982 (design / produce)

© Erede Ettore Sottsass

SiriusEttore SOTTSASS 1982 (design / produce) © Erede Ettore Sottsass
Erinna
Ettore SOTTSASS

1986 (design / produce)

Produce: Memphis Milano; Toso Vetri d’Arte

© Erede Ettore Sottsass

ErinnaEttore SOTTSASS 1986 (design / produce) Produce: Memphis Milano; Toso Vetri d’Arte © Erede Ettore Sottsass

Exploring What“Design”Meant to Sottsass

Throughout his career, Sottsass constantly questioned the very meaning of “design,” refusing to be bound by conventional thinking. His creative stance—liberated from the rationality and functionality that had long defined modern design—is encapsulated in his remark, referenced in the subtitle of this exhibition: “Design begins when magic begins.” This exhibition explores what design truly meant to Sottsass.

Acropolis
Ettore SOTTSASS

1988 (design / produce)

Produce: Design Gallery Milano

© Erede Ettore Sottsass

AcropolisEttore SOTTSASS 1988 (design / produce) Produce: Design Gallery Milano © Erede Ettore Sottsass
Cabinet No. 8
Ettore SOTTSASS

1994 (design / produce)

Produce: Gallery Mourmans

© Erede Ettore Sottsass

Cabinet No. 8Ettore SOTTSASS 1994 (design / produce) Produce: Gallery Mourmans © Erede Ettore Sottsass
Cabinet No. 71
Ettore SOTTSASS

2006 (design / produce)

Produce: Gallery Mourmans

© Erede Ettore Sottsass

Cabinet No. 71Ettore SOTTSASS 2006 (design / produce) Produce: Gallery Mourmans © Erede Ettore Sottsass
Vase no. 17
Ettore SOTTSASS

2006 (design / produce)

Produce: Gallery Mourmans; Gino Cenedese e Figlio; Van Tetterode Glass Studio

© Erede Ettore Sottsass

Vase no. 17Ettore SOTTSASS 2006 (design / produce) Produce: Gallery Mourmans; Gino Cenedese e Figlio; Van Tetterode Glass Studio © Erede Ettore Sottsass

Over One HundredSottsass Worksfrom the IshibashiFoundation Collection

Over One HundredSottsass Works from theIshibashi Foundation Collection

In recent years, the Ishibashi Foundation has placed special emphasis on collecting the works of Ettore Sottsass. This collection spans a wide range of media—including furniture, ceramics, office equipment, glassware, photography, and drawings—and now numbers over one hundred works. This exhibition marks the first occasion on which the museum will present its entire Sottsass collection and related materials to the public—and is also its first-ever design-themed exhibition.

Explore works by decade

Ettore Sottsass

Born in Innsbruck, Austria, in 1917, Sottsass moved with his family to Turin, Italy, because of his father’s, an architect, work in 1929. He earned a degree in architecture from the Polytechnic University of Turin in 1939. Then, after military service during World War II, he began his full-fledged career as a designer and architect based in Milan.
From the 1950s through the 1960s, he created a series of celebrated designs for companies such as Olivetti and Poltronova, establishing his international reputation. In the late 1960s, amid the global wave of countercultural movements and the emergence of “Radical Design,” he drew inspiration from East Asian art and Pop Art to produce strikingly original works.

In the early 1970s, he abruptly stepped away from his professional activities in Milan and spent time wandering the rugged landscapes of Catalonia, Spain, photographing conceptually driven subjects and pursuing a philosophical inquiry into the nature of “design.”
In the 1980s, he became the founding figure of the international design collective Memphis, which created a sensation with its bold use of color and form. After parting ways with Memphis around 1985, he continued to produce playful and daring works until his death in 2007 at the age of 90.
In 2017, major retrospectives marking the centenary of his birth were held, primarily at museums across Europe and the United States, further cementing his critical acclaim and growing legacy.

Photography
Erik & Petra Hesmerg

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